Fly Me To The Moon by Ella Fitzgerald Chords & Tabs - Budine Lealaide

Tabs Analysis and Description

Unique Features of the Tabs

This guitar tabs exhibits an engaging blend of rhythm and technique, predominantly characterized by its intricate fingerstyle patterns and seamless transitions between various articulations. Notably, in measure 4, the use of a combination of (B3SC4) (slide) and (B3PC4) (pluck) creates a smooth melodic flow that beautifully anticipates the harmonic shift. The distinctive timbre provided by the (B3G3Harm) (harmonic) at measure 8 adds an ethereal quality, which is further accentuated by the use of D (down strum) within the same measure, articulating a rhythmic backbone that complements the melodic lines.

In measure 12, the composer incorporates syncopated rhythms through a judicious mix of C__ (eighth note triplet) and C- (half note), spotlighting the potential for rhythmic complexity. The extended use of PM (palm mute) in comparison with open-strummed sections sharpens the contrast between dynamics, asserting a strong narrative quality throughout the piece.

Technical Challenges

The piece presents several technical challenges pivotal for skill development. The most notable is found in measures 5 to 7, where rapid passages of (B3HC4) (hammer-on) and (B3T) (right-hand tap) require precision and fluidity. Each of these measures involves intricate finger placements that can be daunting for intermediate players. Additionally, measure 11 introduces a series of alternating picking patterns that demand both speed and accuracy.

Quantitatively, the difficulty can be assessed based on the number of notes (16 total within three beats) alongside the varied techniques employed. A metronome practice set to a slower tempo and gradually increased to performance speed is recommended for those struggling with these sections.

Practice Recommendations

To tackle the identified difficulties effectively, musicians are encouraged to break down the challenging measures into manageable segments. For instance, in measures 5 to 7, isolate each (B3HC4) followed by (B3T) to develop independence between fingers. A suggested practical exercise would be to practice hammer-ons using just two fingers on a single string, gradually incorporating the right-hand tap after achieving consistency.

For the syncopated rhythms in measure 12, use a metronome to ensure steady timing, starting at a slow tempo (around 60 BPM) before gradually incrementing. Focus on evenness, ensuring each note maintains clarity; this can be practiced using simple strumming patterns before attempting the full tabs.

Engaging with the tabs in this segmented fashion not only enhances technical prowess but also fosters a deeper understanding of rhythmic phrasing, ultimately enriching the overall performance. By concentrating on these suggested areas, guitarists can effectively mitigate the technical demands of the piece while enhancing their musicianship.